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CONCERT INDIAN VOCAL MEDITATIVE MUSIC4000 Years old Indian Classical Meditative Misic started with Vedas. ESHA BANDYOPADHYAY, will sing the deep meditative ragas & relate the connection of raga music with meditation yoga & spiritualism. |
The saturday 26 November 2011 at 20:00 |
Mulabandha, of Mula means root, origin and bandha control. Mulabandha, consists in gaining the control of the pelvic floor and of the abdomen by Uddiyãna not to be confused with Uddiyãna Bandha (which is also taken after having expired, but only with the breath held, the lungs empty and the abdomen pulled in).
For the beginner, it consists in, after having completly exhaled, closing the anal sphinter very tightly and pulling this feeling upwards towards the center of the abdomen, then holding the lower abdomen flat (Uddiyãna). This must be held throughout the practice. If Mulabandha is lost, it is necessary to wait until the end of an expiration to take it again.
Shri K. Pattabhi Jois saya it takes about five years of practice to get the control of Mulabandha.
The type of breathing that one uses during the practice is called Ujjãyi prãnãyãma. The type of breathing is obtained through the nose while slightly opening the region of the larynx. This breathing is free but the inspiration and expiration should take the same time .When one is in a difficult posture, the breathing acclerates which is natural. The student shoutd try to progressively and softly lengthen the time of inspiration and expiration, relaxing at the same time.
This is concentration of the gaze on a specific point while in a posture. There are nine different drishti. In other words, there are nine different directions for the gaze while in those postures which are held for several breaths.
The first sloka in the Yoga Korunta lists the 9 drishti: " Nava drishti praquir titaha "
" Nava drishti praquir titaha " (" These are the 9 points on which to concentrate the gaze ") |
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| 1. Nasagrai | 1. The tip of the nose |
| 2. Nétréore ma diai | 2. The navel |
| 3. Nabit chakaam staté wad chã | 3. Between the eyes (the third eye) |
| 4. Hastha grai | 4. The centre of the hand (with the hand completely flat) |
| 5. Padãyour grai | 5. The centre of the top of the foot |
| 6. & 7 Parsvai your ho béyor hãpi | 6. & 7. A point on the horizon to the right or left in twisting postures |
| 8. Angusta ma diai | 8. The thumbs when the hands are in prayer position; this drishti symbolises God. |
| 9. Urdhva drishti hi | 9. Looking vertically upwards. |
Dristi corecte |
Dristi oeil g. divergent |
Dristi trop haut |
Dristi corecte |
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Dristi corecte |
Dristi oeil g.divergent |
Dristi trop bas |
Dristi corecte |
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Yoga Korunta is a dynamic yoga. It is characterized by mouvements that link the postures one to another synchronically with the Ujjãyi breathing. The vinyasa, is a bit like a garland (mãlã) of postural flowers that are joined together by the breathing thread.
The vinyasa is a group of movements taken from the first salutation to the sun "from Mysore".
There are 3 types of vinyasa :
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